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Link button S360


 S60 & S30    SKY


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Like all members of the M-Series, the ARRI M40/25 unifies the advantages of a PAR light and a Fresnel fixture. Due to the unique lerns-less Max Technology, the unit is open face and thus very bright, but also focussable over a range of 18-52° HPA, casting a crisp shadow. The reflector characteristics is optimised for 4000 W lamps, but can also be used with 2500 W lamps.


The lamphead is equipped with a CCL module (compensation for cable loss). When operated with the new ARRI EB 2.5/4 kW with CCL, full power is maintained all the way to the lamp even when very long cables are used. This means uniformly high light output independent from cable length

2,500 or 4,000W Lamps

1 1/8" Stand Mount

Lens-less MAX Technology

30% Brighter than ARRISUN 40/25

6.6 lb Lighter than ARRISUN 40/25

IP23 Rating

18 - 52° Focusing Range

Cross Cooling Allows Safe Operation

Compensation for Cable Loss (CCL)

Takes Same Accessories as ARRISUN 40/25    Daily rental $500

M40! broncolrpara222

With a heat-resistant construction and 87" diameter, the Para 222 Reflector F Kit from Broncolor allows users to produce precise, efficient lighting using tungsten fixtures up to 2000W. The reflector's parabolic shape and silver interior yield very high light efficiency, wrapping the subject in brilliant light which emphasizes detail and due to the calculated parabolic form of the reflector, light fall-off only occurs at the Para's extreme edge. This kit features a focusing tube for use with Broncolor's adapter system, enabling use with a wide range of lights. Additionally, it comes with a rolling travel bag. This system's focusing tube can also be swapped out for an FT tube for use with the FT lighting system.        $225

The ARRI T12 12,000W Fresnel light allows the use of a 12,000 watt lamp, as well as the 10,000 watt lamp. 220V A/C power. Beam angles are 54 degrees in the flood position and 13 degrees in the spot position.

ARRI Studio Fresnels are an ideal choice for film studios where high performance and high wattage tungsten lampheads are required. The large lenses give great efficiency and an extremely wide beam spread. ARRI's elegant modular construction, using corrosion-free aluminium extrusions and lightweight die castings, offers great structural strength. $175

S2-LiteMat-4-Front-Back S2-LiteMat-3-Front-Back S2-LiteMat-2L-Front-Back S2-LiteMat-2-Front-Back S2-LiteMat-1-Front-Back

Litegear LITE MATS!

#1:11.5"x 21"x.9"  $60          

#2L:11.5"x 40"x.9" $75                    

#2:21" x 21" x.9"  $75          

#3:30.5" x 21"x.9" $95    

#4:40"x 21" x .9"  $105        

Bicolor LITEMAT LED panel, pro hybrid dimmer/efx control. power supply, side ext, 3 diffusion panels, hard crate, efxtrigger, head cable ext, mounting plates



The ARRIMAX 18/12 HMI lensless PAR remains the ultimate choice for productions requiring maximum light output.50%brighter than a 12K PAR, the 580 mm (22.83”) diameter, parabolic faceted reflector provides continuous focus adjustment from 15° to 50° beam angle and since the ARRIMAX does not require a set of spread lenses, shadows are sharp and easily cut. This arc-like shadow quality, ARRI eXtreme cooling, and EZ lamp lock system make this the go-to lighting choice for maximum lighting requirements.


18,000W Single Ended lamps use a sturdier GX51 lamp base for which ARRI engineers have designed a special lampholder. This new lampholder alleviates mechanical stress from the lamp pins, which now serve only as an electrical connection. The lamp clamping mechanism is self-aligning and uses a rugged, recessed lamp lock handle. To ensure that crews can easily use 12,000 W lamps or versions of 18 K Single Ended lamps with G38 bases, the new lampholder accepts either lamp type with no modification or adjustment required.       $1100


The new flagship of the Fiilex line, the Q1000 revolutionizes photo and video work by combining intense power, exceptional light quality, enhanced weather-resistance, and portable power options in one remarkable light. Maintaining the same color spectral versatility of the award-winning Q500, the Q1000 boasts a color tuning range of 2800-6500K. This stunning light is clean and accurate at all color temperatures, receiving outstanding TLCI (≥95) and CRI (≥93) ratings for its precise color rendition. The Q1000 also offers full dimming from 100% to 0% with no color spiking, as well as hue control of ±.25 Magenta/Green for deft hue correction on set. Weighing less than 13 lbs and featuring enhanced weather-resistance (IP-24), battery compatibility, and built-in DMX Control, the compact Q1000 can be easily rigged into any studio or used for on-location shoots. Highly modifiable, this remarkable light pairs with a wide range of Q-Series and P-Series accessories to give you the right look for you shoot.

1500W-2000W Output Equivalent, 340W Draw

IP-24 (Water-Resistant)

Extended Color Temperature Range (2800-6500K)

High CRI ≥93 (3000-5600K)

Weighs Only 12.8 lbs

LCD Display & DMX-Ready

Flicker Free at any Frame Rate                   $125


The Q500 leads the revolution in LED Lighting, offering intense power, color accuracy and control in a compact form. Boasting 750W of color-tunable output, the lighting world just got a lot brighter and a lot more efficient. With a color temperature range between 2800-6500K, hue control ±.25 Magenta/Green, and cool running temperature, the Q500 lets you leave your color correction gels, scrims, and grip gloves behind. An LCD display makes setting your color temperature, intensity, and hue a breeze by allowing you to adjust your settings efficiently and accurately in seconds before even turning the light on, and the built-in DMX allows you to add the light easily into your set-up for remote operation. The Q500 also saves you valuable time in post-production thanks to its stellar color accuracy (CRI ≥93) and flicker-free light, capturing your shot at any frame rate. Let the Q500 take your work to the next level and redefine what is possible with LED lighting.                                       $95

Q500_topimg_01 fiilex para

The Fiilex Para softbox pairs with any Q-Series fixture to create a soft light that wraps smoothly and casts a clean shadow. The shiny silver interior maximizes the internal reflection for high output while the removable front face and inner baffle diffuse the source.


Deep parabolic shape

Silver reflective interior, black fabric exterior

Includes front face diffuser and inner baffle

Specialized speed ring

16 Sleeved ribs for easy assembly

Carrying bag                                       $20

aladdinBiflex1 AladdinBiFlex4 Aladdin Bi-FLex2 A-Light AladdinEyeLite

Aladdin LED kits!

1'x 1'Flex Mat       $75

1' x 4'Flex Mat     $105

1' x 2' Flex Mat     $85

ALite(2)(shown with laptop)$45

EyeLite (2)          $25

All LED BiColor Flex Mats have 1 Head Cable, Dimmer/Color Control w/ Gold mt. battery adptr plate,Diffusion Panel w/Soft Sides, Structural Frame with Stand Mount, AC Power Supply.

Small kits: Batteries, Micro USB to USB Charging Cables, Mounting Brackets, Diffuser Panels,2 Hr Run Time

1800W Tener LED front iso 900W_Senior_LED_web

The new Mole Richardson LED fresnels (daylight) pack all the Mole Rich quality you expect from their traditional fresnels into LED awesomeness. Features include:Power supply ballast built into trough(SENIOR) or Separate ballast(TENER). 5kw tungsten equivalent (SENIOR)exceeds output of 1200W HMI. 90-250 Volts AC, 50-60Hz, 900 Watts (SENIOR), 1600W (TENER). 8 Amps Max. DMX Standby Draw <.20 Amps Max.Flicker Free, Direct DC Dimming Local Dimmer 100% - 0% (Minimal Color Shift) DMX Dimmer 100% - 0% (Minimal Color Shift).10 deg to 55 deg Variable Spot to Flood (Includes Field) $135 (SENIOR)  $225 (TENER)

Tener LED Ballast qx-lamp_3e0fda28-70ce-4d0c-856c-109236afc728_1024x1024 logo

QUASAR SCIENCE Low Profile Linear LED Lamp. Self Ballasted, dimmer compatible. Expandable - Stack them in a column to create large LED panels of any size, or end to end for long linear lighting arraignments. Use them in any KinoFlo fixtures to make a Queeno! 120vac/240vac vs. 12vdc. 90+ lumens per watt. 2', 4' or 8' lengths $12.50/ $15.00/ $22.50 per day, ea.


The Silent Cat™ 4000 Camera Slider is 50" long and allows a 38” travel. The 38” travel provides considerable movement to avoid laying a piece of track. Five mounting positions to choose from when mounting to a camera dolly or any Standard Mitchell Mount*. Use the custom counter weight tray whenever you cantilever the Silent Cat™ 4000. Switching from top mounted to under slung requires no tools.  $195

Sky Panel

Using technology originally designed for the L7-C Fresnel, ARRI SkyPanel S60-C is fully color "tuneable" allowing output of a warm 2,800K to icy blue 10,000K light and also uses the full RGB+W color gamut with hue and saturation control for fine adjustments. Full Minusgreen to Full Plusgreen is also possible, so if you're lighting for blue or greenscreen, you can simply dial your color chosen in. This wide degree of control is responsible for a very high CRI of 95 and a rating of 90 with the newer TLCI standard. All of these functions as well as 0-100% dimming can be adjusted locally with the SkyPanel's onboard controller or remotely via DMX or a LAN. Besides inputs and outputs appropriate to these functions, the light also has a USB-A port for downloading firmware upgrades from a thumb drive, PC or Mac.  $250 per day.

Lambda25_2 Lambda25#2_4

The innovative lightweight LAMBDA 25 represents the ideal solution for Cameras up to 55 lbs.

LAMBDA 25 inherits all the classic LAMBDA features with the addition of pan and lt pierced rotation axis to allow the cable passage and a no limit multiple 360 rotation. The patented CARTONI Fluid drag system is continuous on both axis. The LAMBDA 25 Head can be mounted on any classic support as Tripods or Dollies or used in underslung position from Cranes, Jib arms and Dollies.   $150

CARTONI LAMBDA 25 fluid head

T12 pro10 pro10face

             PROFOTO PRO 10 PACK

Describing Pro-10 as fast would be an understatement. It is a record breaker in its capability to keep flash duration and recycling short across the full power range. It easily matches the fastest cameras and makes it easy to capture crisp, sharp images from a series of super-fast exposures.With an 11 f-stop power range, adjustable in 1/10 f-stop increments from 2.4 up to 2400Ws. And it’s fully asymmetric 0-100% on both outlets, so you have independent control over each head.                                     $125 per day

Joker1600 Joker KIt

The K5600 Joker 1600 ZOOM kit is a lensless, focusable Beamer that gives 15 to 65 degrees of even light output, distributing light across your subject.  The ZOOM Beamer's reflector was specifically engineered for the best and most efficient performance possible.

The Electronic Power Supply is quiet and smaller than comparable ballasts (even those of less wattage).  It’s capable of running on a 15 amp / 120 volt circuit, is dimmable, and has selectable frequency options for extreme high speed shooting.Head, head cable, zoom reflector, barn doors, ballast, 3 pc scrim set in bag, clear & frosted beakers included in kit.  $205 per day



At over 120,000 lumens, the ARRI S360-C is one of the brightest LED soft lights on the market. Compared to the S60-C, the S360-C is more than four times brighter and maintains excellent color quality and tunability. Consuming only 1500 watts, the S360-C is twice as bright as a 4,000-watt tungsten soft light and over three times as bright as a 12,000-watt tungsten space light.The surface area of the S360-C is over 5.8 times larger than the S60 and produces beautiful soft light in a wide 105deg. beam angle. Easily adjust the CCT from 2800K to 10000K with plus/minusgreen control and access the full color gamut with hue and saturation, RGBW mixing, digital gels, source matching or CIE x, y coordinates. The ARRI S360 SkyPanel has a multitude of ways to control the light output; DMX, RDM, Art-Net, sACN, 5-Pin XLR, Ethernet, and wireless DMX by LumenRadio. Built into every S360-C, the CMRX chip allows for DMX and RDM communication without the hassle of cables and distribution equipment. Simply link a compatible LumenRadio transmitter to the S360-C and you're good to go. Using the 5-Pin DMX output on the S360-C also allows for daisy chaining other non-wireless SkyPanels to the DMX network. EAch kit contains: S360-C SkyPanel head. carbon fiber short yoke, Intensifier (50% brighter, narrower beam)& DOP SnapGrid (40 degrees)                 $900 per day


Savage Universal seamless paper  - 9' and 12' rolls!  We keep 40+ colors in stock, multiple rolls of each.

12' x  rolls come in Tech green, Black, White and Storm Grey, only. 9' rolls: $59.50, 12' rolls: $190 White, $200 colors

The Model 9 is Fisher's largest camera dolly. It's a stable, reliable camera platform with a variety of features and accessories. This Dolly is widely known for its use in television production and has provided the industry with a long history of reliable service. A new feature of the Model 9 Dolly is a smoother hydraulic system that includes a dampening valve which cushions the top and bottom of the lift. The Model 9 Dolly is easy to maneuver, dependable, requires low maintenance and continues to meet the needs of professionals in the motion picture, television and video industries. 500 lb lift beam capacity. Click      for product pages.  $225 per day                                        

JlFisher9 fisher9

The Fisher 10 is Fisher's most popular hydraulic lift beam camera dolly. It is smooth, quiet and easy to use. Manufactured from the highest quality materials and components to meet the demanding needs of the entertainment industry, this stable, reliable Dolly offers operators a wide variety of accessories. 500 lb lift beam capacity; 4 steering modes. Click      for product pages.    $300 per day

fisher10 here here

Now stocking the ASTERA LED Titan Tube: The ultimate film lighting tube for TV, cinema and photography.

The Titan Tube was especially designed for the Film, Broadcasting and Cinema industries. Optimized for an ultra-high TLCI, a very high CRI and peak brightness, colors as well as Hue, Saturation and Intensity can be set directly on the tube. In addition, the Titan Tube now accepts wired DMX via a special power/data combination cable.The Astera Titan tubes boast 16 individually controllable pixels, Boost Mode: Ultra-bright when displaying white color for 2h or while connected to AC, Wired Data Connection + Wireless DMX,DMX, Art-Net, sACN and power can be distributed via the PowerBox.  $50 ea per day, or $350 per day for the case of 8. We have 24 available.